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Those, however, formed a potent and poignant backdrop to a celebration of France – specifically of Paris – and the fundamental role played by fashion in its cultural identity.

Paris fashion has been exciting for seasons: after a dormant period of status quo, there's been a groundswell of talent.

Paco Rabanne under Julien Dossena and Sébastien Meyer and Arnaud Vaillant's Courrèges are two prime examples of the latter – French-based labels spearheaded by French-born creatives, forging a new aesthetic of 21st-century French fashion.

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The reputation of Alain Resnais' 1959 "Hiroshima, Mon Amour" as a demanding, stringent, capital-i-Important film precedes it, but the action that unfolds over its 90 minutes is fairly simple.

A French woman (Emmanuelle Riva) and a Japanese man (Eiji Okada) are wrapping up an adulterous affair they conducted while she was in Japan acting in an antiwar film.